Cold State, Hot Bod

Sure, it’s a politically groundbreaking year — history in the making. But how does that affect me?

Well mostly it just pisses me off.

About eight years ago, I was shopping around a feature screenplay that had some heat on it. It was a mystery/thriller about air crash investigators — sort of a CSI  for aviation nuts before the first of the three dozen CSI  shows ever even premiered. Several producers expressed interest and there was serious talk of slipping the project in through the back door at a major Hollywood studio.

But there was a little problem with the script. One of the major characters was a female President of the United States.

More than one of the potential producers expressed concern that this was flatly impossible, could never happen, and would make the film wildly implausible. And they asked if I could maybe think about demoting the character to First Lady, which might have been simple enough, except for the fact that it would have completely fucked up the whole story.

I was even asked, at one point, to invent an entire political career backstory to explain how a female President could even come to exist in this world I had envisioned. Clearly my crazy talk about a Commander in Chief with different plumbing and an extra X chromosome needed to be justified.

Now, less than a decade later, we have Hillary Clinton narrowly missing out as the Democratic Party candidate, and Sarah Palin making the Vice Presidential half of the ticket on the Republican side. You no longer have to draw a diagram to show how it’s possible for a woman to land the top job anymore.

Ultimately, in one of my rare displays of backbone when it comes to getting wrongheaded, damaging notes from producers, I told them no. I wasn’t going to change the script. At least not until somebody paid me to do it. I stuck to my guns.

A year and a half later there was a September incident that spoiled the public’s enthusiasm for airplane crashes and the screenplay got filed away in the back of my hard drive. I like to console myself that the project would have eventually died in development thanks to that event, but it’s hardly any comfort at all. Timing is half the battle in this industry, and being ahead of the curve can really screw you over.

The new cold war just got smokin hot

Could Sarah Palin become the first ever PILF?

(If you need me to explain the joke behind that variation on a popular acronym, you probably shouldn’t be reading this website anyway.)

Sarah Palin joining the McCain ticket today irritates me in another significant way. It really gums up the works of my vacation.

Did she really have to be the governor of Alaska? I’m going to be up there next week on a cruise, looking at whales and glaciers and mountains and shit. And my opportunity to relax and commune with nature is going straight to hell now that all those Alaskans are going to be bouncing off the walls with excitement over the November election and the local gal made good.

I really should have kept to my policy of staying away from the States — even pretend states like Hawaii and Alaska — until the Bush administration was safely over. Now I’m likely going to catch election fever all over again. As some of the most magnificent scenery off the Pacific coast drifts by, I’ll end up spending the entire trip in my stateroom watching the Republican national convention on TV, hoping and praying that Sarah Palin will have a wardrobe malfunction, or that CNN will accidentally capture an illicit upskirt shot of the VP candidate. Or, perhaps more likely, that the GOP, in an effort to secure more votes among the normally low-turnout demographic of men 18 to 30, will arrange a bikini wrestling match between Palin and Condoleezza Rice to hold their attention during McCain’s acceptance speech. Perhaps in mud, or maybe in one of several extensively vetted flavours of Jell-O.

You’ve come a long way, baby. Mostly thanks to progressive, visionary minds such as my own. No, really, it’s okay. You don’t need to thank me.

Provided my wife and I haven’t booked ourselves for a Titanic-esque experience that will end with us treading water in freezing cold water, listening to Celine Dion, suffering from bone-chilling hypothermia, and praying for the sweet embrace of death so we don’t have to listen to any more Celine Dion, I’ll be back in September with one, perhaps even two, brief and ill-conceived blog entries that will make you sorely regret expending all the time and energy it took to click on your RSS feed.

Tag, I’m It

It took long enough, but I swore I would respond to Morena’s tag comic. And so I have. It only took going on vacation to Creemore and having a few Creemore Springs Premium Lagers, a couple of hot tub soaks, and a few fuzzy animal sightings to get me in the mood.

Footpad Footnote

It seems all my readers have been sitting on the edges of their seats. Every time I meet one, they demand to know what’s going on with the family of raccoons. Well, I’ve poked a flashlight under my front step a couple of times recently, and it seems they’ve left the building for good. The emergency backup nest has served its purpose, and now they’re movin’ on up.

Movin’ on up, but not far.

On the night of my recent birthday celebrations, I was seeing the last of my guests out. There were a few on foot, and a few others leaving by car. No sooner had the car engine started up than a raccoon — Mama by the looks of her — came out of one of our neighbour’s front yards (Cindy Sherwin, Pulse News in fact) and trotted casually across the street, right in front of everybody.

Marr, who was in the car, rolled down the window and shouted to me, knowingly, “Fucking raccoon!”

“Fucking raccoon,” I concurred. I’ll miss them all.

Drawing Words, Writing Pictures

Some of the recent surge of new interest in Longshot Comics has been academic. I’ve been contacted about having my dots discussed in a few books on the subject of graphic novels and experimental sequential art (read “weird comics”). One of them is the remarkable nuts-to-bolts look at what goes into creating a comic book, Drawing Words & Writing Pictures by Jessica Abel and Matt Madden. An excerpt from The Failed Promise of Bradley Gethers makes an appearance on page nine, right between clips of Matt Feazell and John Porcellino. My comp copy showed up in the mail a couple of days ago, but your very own copy is waiting for you in bookstores on and offline. Amazon is selling it on its various sites for about twenty bucks, which is a nice price for a big album-sized book full of pretty pictures and indispensable information.Drawing Words and Writing PicturesLongshot Comics excerpt

As a closing bit of comics news, I wanted to run this photo someone snapped at the last comic jam. If you’d care to complain about the black and white, grainy aesthetics that make it look like a still frame from Bolex footage of a rare Sasquatch sighting back in 1973, don’t blame me. I’m not that handy with Photoshop.June 2008 Montreal Comic Jam

Pictured left to right, Jeff LeBlanc, Shane Simmons, and the mighty elbow of Marr.

Inspiration Where You Can Find It

There have been a few more comic jams since the last one I wrote about, and I’m happy to say I’ve been at all of them. Well, relatively happy. I could have done without certain aspects of the one that accidentally took place during the NHL playoffs. Unless you’re a hockey fanatic, you really don’t want to be in a Montreal bar when the Habs are in the middle of a hotly contested series. Any bar. Because even the sparsely patronized dives (like the one we do our jams at these days) fill to the rafters with crazed, drunken hockey zealots who spend the entire evening screaming at the top of their lungs whenever their home team so much as touches the puck.

The Montreal Canadiens were eventually eliminated from the playoffs, ending the dire imperative for fans to torch police cruisers by the dozen. The city coffers were thankful, the automotive economy less so.

When the jam was reconvened last Thursday, I had my current raccoon woes in mind. Yes, the family is still living underfoot, but largely without incident. Despite the peace treaty that exists between us, I decided to lay out a disparaging raccoon page and pencil panels one, five and nine. The rest of the page was quickly filled by other contributors as the evening progressed. As usual, Rick Gagnon took all our work home and was already busy inking the results when I asked him to send me a scan of the page as it stands.

Simply because it amused the hell out of me, I present “Fucking Raccoon” as a work in progress. You’ll be able to see the final product in a future issue of What the F***?

The Trouble With Hairy

There was a recent eviction in my neighbourhood. I only found out about it after the fact, when our neighbours rang the doorbell and told me, “Um, there’s been some drama.” More people were gathered outside, gawking and gossiping amongst themselves. Apparently my house was the centre of attention for some reason that escaped me.

It turns out, a few houses down, one of my other neighbours had discovered a whole nest of raccoons on his roof — a big mama raccoon and half a dozen babies. He put the babies in a box and moved them outside, and then sawed off the tree branch that was allowing the mother access to his roof. When she returned from a round of foraging, she was dismayed to find there was no way home and her babies missing. It took an hour or so, but she located the box of offspring and the collection of humans cooing over how cute her litter was. After chasing the bipeds away, mama raccoon immediately set to moving the whole brood, two at a time, to her emergency backup nesting spot she had obviously scouted out much earlier.

That just happened to be under my front porch.

I knew there was a space between all that slate and concrete and the ground beneath, but I never imagined it could accommodate an adult raccoon and a pile of babies. I still wouldn’t have believed it, except my neighbour had photographic evidence of the whole raccoon relocation. It’s now a popular video on YouTube.

I’m content to let madame raccoon raise her family under my porch. The babies will likely outgrow the new nest by mid-July and they’ll all move on after that. Unfortunately, it seems their mother isn’t quite so happy with the new digs and is already scouting for an upgrade. As I write these words, I have a peeping tom up in a tree in the backyard looking through my office window, hoping to find a way to sneak onto my roof and claim squatter’s rights. Well, the tree is little more than a sapling so it’s unlikely she’ll ever find a path to…

Bugger. She’s figured it out. Our adjoining neighbour has a fence, and a tree, and a balcony, and a ladder. It’s a complex puzzle to work out, but a raccoon’s ability to problem-solve is quite something to witness. Give them another three millions years of evolution and raccoons will be running the planet. They’ll be the dominant life form and our descendants will be trying to figure out how to get the raccoons’ garbage cans open in the middle of the night so they can feast.

After snapping these pictures of our fearless mother raccoon, I went back up on the roof to make sure she’d left the building. Although she’d yanked off all the drain covers from both our roof and our neighbour’s, it appears she didn’t find any viable nesting spots. Time will tell. I’ll update you in the future, assuming she doesn’t decide she’d prefer to raise her family inside our house and sends us and our cats packing.

Feefty

I’m over the hump.

The estate sale is done, the house is now empty and on the market, and it seems there may yet be an end to settling this whole succession affair. It was the estate sale hurdle I dreaded the most. Decades of accumulated stuff (some of it dating back a century or more) from two aunts and a grandmother were put on the market and advertised heavily, drawing the inevitable feeding frenzy of dealers, bargain hunters, and curious gawkers.

They were lined up outside nearly two hours before our starting time, clawing at the door, whining to get in. The sheer scale of the event required two days’ worth of traffic to clear it all, and a staff of seven on hand to deal with sales and security, including three professional organizers and a bouncer/doorman.

Set up with the cash box in the kitchen, as soon as the front door was flung open I was witness to the unsettling sight of dozens of early birds bursting in and hitting the first major intersection in the house. With a choice of going left, right or straight ahead, they had to make a quick decision which way to dash to get to the stuff they wanted before anyone else could lay their greedy hands on it. And few of them had any idea what it was they wanted. This generated a lot of jostling and crazed animal looks, like a herd of cattle being prodded into the abattoir and seeing nothing but knives and saws down every conceivable passage.

Two minutes after the door opened, the first customer arrived at my station to pay, and from that point on I was handling three or four transactions a minute straight through to lunch. With antiques and curiosities collected from around the world, I at last knew which items would go first and prove to be most popular with the masses.

The crap. They wanted the crap. The crappier the crap, the more they wanted it. The elegant and refined were consistently passed over for the plastic and pointless. Even at clearance sale prices that I feared would make my aunt rise from the dead, scream in horror, and then return to the grave to roll over in it for the rest of the weekend sale, the good stuff had few takers. Dirty old, mildew-ridden patio furniture? Sold! Rusty odds and ends from a tool box hidden in the laundry room? Sold! A Zamphir audio tape of pan-flute atrocities? Sold! Any shit that wasn’t nailed down and didn’t even have a price tag on it because who in their right mind would want it? Sold!

I can’t remember exactly what we sold first. But the second thing out the door was a badly broken wooden boat I thought we’d never be able to get rid of. I put a six dollar price tag on it the day before and hoped for the best. The buyer offered me five.

“Sure,” was the only sane response.

There are three distinct types of buyers at this sort of event. The people who quietly pay the listed price in total. The ones who haggle a token buck or two off the stated price. And then there’s the serious negotiators.

Witness The Cartel. They arrived around mid-day — a whole family from Colombia who spoke almost no English. I speak no Spanish, so we ended up communicating in pidgin French. They would buy a few things, load up their van, disappear for an hour or two, and then return. And return and return and return some more. I came to refer to them, affectionately, as The Colombian Cartel. They were our best customers and bought enough stuff to furnish an apartment or three, including a hide-a-bed sofa, a second sofa, three large plush chairs, two end tables, a coffee table, a dresser, several lamps, every blind in the house, several changes of clothes, silver plates, bronze artifacts and an assortment of odds and ends I lost track of early on.

And they drove a hard bargain.

“How much ees thees?” they would ask in their heavily accented, limited English, coming across yet another piece of furniture that struck their fancy.

“A hundred and seventy-five dollars,” is a typical figure I would quote them for a large piece.

“No, feefty,” they would haggle.

“Ok, a hundred.”

“No, feefty.”

“Seventy-five.”

“No, feefty.”

“Sixty?” I would vainly suggest, hoping to salvage some shred of bargaining self-respect.

“No, feefty.”

“Okay, okay,” I would give in, abandoning all hope of anything resembling a decent price. “Fifty! Just take it.”

In another few days, it would have been dragged onto the back of a charity truck for nothing. I took what I could get.

They consumed the place like a school of piranha fish. A nibble at a time until there were only inedible bones left behind. Then they asked about what else I might like to give them for free.

“Cadeau?” they would innocently inquire about this thing or that. A pillow here, a blanket there, a knickknack either tasteful or tasteless.

“Okay. Cadeau. Just take it,” I would end up saying most of the time.

By the end of the day I think I’d met their entire huge family. They kept producing more of them. Just like they kept coming up with more cash to buy stuff just when I thought I had drained them dry at last.It could have been yours!

The final thing they took from the house — and it took nearly all of them to lift it out — was a fake fireplace/stereo system from the ’70s, complete with turntable, eight-track, and working faux-fire. It was, in many ways, the central piece of the entire sale. Everyone thought it was weird and funky and retro-cool. But no one actually wanted it. No one but The Cartel. It was the last of many possessions and paintings and furniture I remember being in my family for my entire life. One by one, I’d watched all these artifacts from Simmons history get carried away by total strangers for token sums of money. In a weird way, I was saddest of all to see that horrible kitschy fireplace drive away down the road. It marked the end of an era, symbolizing much of what had passed away with this latest death in the family, and a physically tangible bit of closure to many of my childhood memories.

I got feefty for it.

The Last Gasp

Ah, the end of the month and a last desperate attempt to get in a blog entry for April.

It’s not that I don’t have stuff to update you about. I do. But I’ve been terribly busy of late, and not with all those personal writing projects I’d been pondering about as of my last blog. You see, I’ve taken on a full-time job.

No, I haven’t given up my career. Rest assured, all those concerned friends and fans who got in touch with me after my last melancholy musings, I didn’t freak out and join the rat race. It’s just that there’s been a death in the family. Yes, another one. Big family, finally starting to run low on members of what was once a particularly vast generation.

The difference is, this time I’ve sort of had the estate dumped in my lap. With just about everyone else dead and buried, they’re scraping the bottom of the barrel as to who gets to play executor. As a result, I’ve had to step up to the plate as the one best qualified to do the paperwork and legwork. “Best qualified” basically means not disinterested or deranged. All the writing I’m doing these days involves letters to lawyers, bankers and investment brokers, trying to sort out a ten-way inheritance split between two generations of Simmonses. It feels so much like a real job, I’ve been reminded why I dropped out of that whole scene a good fifteen years back in favour of the leisurely life of a scribe. I expect to be over the hump in this settling of affairs by the end of May, but until then most of my time is spoken for.

As far as updates about my real job go, I just wanted to mention that the second season of Pucca began airing earlier this month. That’s seven more of my cartoons that should be showing up on all your favourite pirate sites in dribs and drabs before too long. If you never caught the first season, half of it has now been released on DVD in two volumes of random episodes. Each disc features only one of my toons in the mix. The other five will doubtless appear on the next release. Still, it’s a little bit exciting since this marks the first official release of any of my material on DVD. My episodes of Sci-Squad were released on video as part of a teachers-aid educational series, but video hardly counts for shit these days.

It would be more of a cause for celebration if I actually received any royalties for this, but sadly I won’t be seeing one red cent in residuals. So when I direct you to where you can buy these DVDs online, be confident that I only do this as a well-intentioned service, and not as a shameless cash-grab attempt to boost sales.

Lost

If you know your comics, you’ll know who Steve Gerber was. And you’ll also know that he died last month. Back when mainstream comics were dominated by superheroes (which, unfortunately, they kinda still are) he was writing satire for Marvel. Yes, satire. For Marvel. I’m not exactly sure how he managed that, but one of the most interesting comic books to come out of the 1970s was Howard the Duck. Although this title was sadly tarnished forever by the George Lucas crapfest movie that came out in the 1980s, those who remember the original comic book remember it fondly as a skewed look at America (and American comics) with a whole bunch of bad attitude. Steve worked on many other comic series, but he’ll be forever remembered as the man behind the duck.

Another comic industry figure you may also be aware of is Rich Johnston, one of the top comic book columnists out there. He writes Lying in the Gutters, and I once had the pleasure of sitting through the Eisner Awards in San Diego with him back in the mid-1990s. Referring to Steve Gerber’s death in one of his columns, he continued with the thought:

“But one thing stuck out about Steve not being appreciated by the industry during his lifetime. Which sent me thinking. Who else are we ignoring right now, who has been rewriting the rules and setting the scene for many?”

Among the select list of notable names and projects he rattled off, there was this paragraph.

“Shane Simmons. Author of the two ‘Longshot Comics’ and the lesser ‘Money Talks’ series and one of the most inventive, creative and consistent creators. Imagine Chris Ware crossed with Groucho Marx. He writes television now. We lost this one, folks.”

I’ve been writing television for about twelve years now. And when I started to get enough screenwriting work to earn a living and keep me financially afloat, I quickly began to drift from the comic book scene. It’s been years since I’ve published anything new outside of my contributions to Rick Gagnon’s What the F***? comic jam compilations. Even my attendance at those events has become spotty. Not through disinterest, mind you, but thanks to frequent scheduling conflicts.

I was able to get to one of the jams just a couple of weeks back, however. Since the days of the massive Gallery Stornaway events that drew comics artists from all over the province, outside Quebec, and even outside Canada, the local Montreal jams have become smaller and more nomadic, drawing no more than a dozen artists at a time and often far fewer. This latest one was held in a dead little dive of a bar, selected not for its inspiring ambiance, but for its bright lighting and lack of loud music. There we sat, a mix of Francophone and Anglophone comic artists, and worked on the next batch of pages that would grace a future issue of What the F***? — now due for its eighth small-press volume. Among the attendees was Jack Ruttan, a frequent contributor to the scene. He snapped some photos and drew some portraits and wrote a blog about the event on his web page.

I started the evening with a single large panel I had dreamed up earlier in the day. I had the layout in my head, as well as all the words and balloon breakdown for the dialogue. I decided to spend an hour or so penciling and inking the entire thing, completing my first whole panel, start to finish, in far too long. It was labour intensive and felt like a long time to create something that people would read in the space of about five seconds. Yet I felt strangely satisfied in way I haven’t felt…well…also in far too long a time.Shane Simmons as cartoon

This isn’t the first sketch a comic artist has done of me during one of our gatherings, but it’s probably my favourite. Mostly because it’s in colour, I look sinister, and have hands that could crush men’s heads. Illustration by Jack Ruttan.

Shane Simmons as cartoonist

The reality is rather less fearsome. Photo by Jack Ruttan.

Recently, copies of the new Italian edition of Longshot Comics: The Long and Unlearned Life of Roland Gethers arrived on my doorstep. It’s been out since November, but I only got them now after the first batch went missing in the mail and the second batch was stopped, opened and inspected by Canada Customs before being allowed on its way. It’s a routine I grew used to early on in my self-publishing career when I was receiving packages of comics and videos from all over the world. Our dutiful authorities must open everything coming into the country just in case in contains child pornography. Good work guys! Glad to see you’re still trying to catch the one remaining pedophile who doesn’t have internet access yet. Keep at it, you’ll nail him one day.

As I’ve been informed by the publishers, the new translation is selling briskly in Italy. Reorders are building up and a lot of copies moved at the Lucca Convention. It’s also been nominated for a “Best Independent USA Comic” Comicus Prize. Shhh. Don’t tell them it’s actually a Canadian comic.

I’ve been exceptionally pleased with the care taken on the design and translation of the book. There’s even an index of notes to further illuminate some of the historical references and terms sprinkled throughout. It feels weird, after all these years of screenwriting and the associated ham-fisted butchery that goes along with it, to have my words so carefully handled and respected by others. And it also feels weird that such respect has become so alien in my career. It didn’t used to be like that.

The newest incarnation of Longshot Comics has arrived. The covers, although different from any previous edition, show a loving attention to detail in their successful recreation of my intentions, both artistic and comedic.

Longshot Comics, remains, I think, the most artistically successful, well known, and widely renowned project I’ve ever worked on. And there’s one simple reason for that. There’s not a word or a letter or a dot or a line I didn’t put in there myself. Editorial input was zero. I sent the artwork to the publisher, they sent it to the printer, they sent it to the distributor and they sent it to the comic shops. It was a pretty long route to get it into the hands of the consumers, but the end result was a direct unfiltered line between my brain and the readers’.

I don’t much care for the prospect of spending my days second guessing the decisions I made years ago. A successful screenwriting career is nothing to turn my nose up at, but I can’t help but wonder, almost on a daily basis, if I’m on the right track here. I think I am generally, but not all the wheels feel correctly aligned with the rails. Something’s grinding and kicking up a lot of sparks.

Maybe it’s this early-onset mid-life crisis I’ve had going on perpetually since the day I turned 30, but I’ve been wondering a lot lately. How lost have I become?

Even I Have Had Enough

I’m on the record saying that any Canadians who complain about the weather should be deported. Our shitty awful weather should be a source of national pride, up there with other celebrated institutions like the National Hockey League, Medicare, and our unelected senate. It’s something to be endured with a healthy dose of body fat and a level of machismo usual reserved for men in the Polar Bear Club, who like to take a sub-zero dip in an icy lake and then strut around proudly like their penises haven’t just shriveled away to the size of a raisin. And yet…

Yesterday, we woke up to the end results of a snowfall that has officially shattered all previous records for the most amount of snow in a single winter season. It’s been relentlessly white all winter. Even with a few periods of heavy melting that reduced what’s on the ground to about half as much as it might have been had it remained below freezing all through these past few months, the amount of snow stacked outside is unbelievable. While I was clearing a western-front-style trench through the front path so the rescue dogs could find us, I realized the pile of snow on the lawn was now about as tall as I am. And I’m not a little man. It’s now a full-body aerobic workout to fling the snow high enough to make it to the top of the stack. The possibility of an avalanche is very real.

This also marks the first winter I’ve had to go out on the roof to shovel off the snow before even more fell and threatened to cave our house in. Lifting tens of tons of snow and dropping it off the side of a building during high winds and a blizzard is one of those uniquely Canadian pastimes that made me want to don a beaver-pelt cap and sing O Canada! just to further enhance the experience. Unfortunately, all the beavers were wisely hiding in their dams, and the O Canada! anthem has too many words and syllables to get through when you’re so physically exhausted you can’t declare anything more complex than, “O fuck!”, “O my heart!”, and “O honey, could you call an ambulance and find my Medicare card?”

After shoveling the roof and the path multiple times, the driveway still remains undone. I’ve informed my wife that as far as I’m concerned, we don’t own a car. Not until April at least. The nebulous blob under all that snow could be anything. You can’t even definitively say it’s car-shaped. It might be the Donner party.