Ad-Dressed

I was outside at 3:00 am last night, pacing back and forth on my stoop in the middle of a winter wind storm, quietly whistling the Mothra song to myself (don’t ask) as I tried to shake off a headache with a combination of fresh air, Advil and tea. It’s in moments like these that I worry some insomniac neighbour will spot me, get creeped out, and summon the police. I make no apologies for being an eccentric, which is challenging because, being Canadian, I feel compelled to apologise for everything.

For the better part of an hour, I walked back and forth on the same stretch of ice, trying not to slip, soaking up the drizzle, and thinking about work. Not the paying kind of work – the stuff that holds me under contract to produce pages on a deadline – but about the work that matters. The work I do for myself.

I still have a tremendous backlog of material that needs to be scanned or edited and then put into the posting queue for Eyestrain Productions. Plus there remain many other projects in various unfinished states that I want to wrap up and get in front of people – specifically, you. Yes, you. Since you’re the target audience, I don’t want to dick around with the middlemen anymore. Visits are up, the number of website followers is on the rise, and I see little benefit in sitting on stories, hoping to place them with some anthology, printed or online, for peanuts. I’ve grown weary of the gatekeepers. My interest in submitting stories to editors who don’t understand my sense of humour, or pitching films and television series to development executives who are – let’s be polite here – short sighted, has waned.

To that end, there’s a new short story called “Special” online. Getting people to read internet fiction is always an uphill battle, so let me entice you in the most cynical way I know how: this one involves cosplay sex. Yeah, it’s a bit pervy. Can you feel the irresistible pull? Don’t resist it, you’ll hurt yourself.

In no way should this be construed as being based on my own experiences signing shit in San Diego and at other comic-book conventions. My time on the bourse floor was never so interesting or rewarding. But there was plenty of inspiration to be had, much of which inevitably filtered down into this story. As usual, you can decide for yourself where reality ends and where my particular brand of bullshit begins.

The Morbidity Before Christmas

It’s Christmas Eve, and is there ever a time when it’s more appropriate to give a gift? Especially if that gift is the wrong size and colour and can’t conveniently be returned to the store for a cash refund? Well I have a very special gift just for you (and whoever else in the world happens to have an internet connection – but really, this one’s expressly from me to you). That’s okay, you didn’t have to get me anything. I’m hard to shop for. An envelope stuffed with cash will do in a pinch, or you can always go hunting for my well-camouflaged donate button, hidden and misnamed at the bottom of my About page where no one will ever stumble across it, even accidentally. No pressure, no guilt.

The present? Oh right, the present. I wrote you story – my new-to-the-public short story, It’s the Thought That Counts – a heartwarming family history that begins, conveniently enough, on Christmas Eve.

Crickets? Do I hear crickets? It’s freezing cold and the snow is ass-deep out there. It seems terribly unseasonable for crickets. I’ll have to look into that.

Before you go diving under the tree for another gift-wrapped box with your name on it, hoping against hope that the next present in line will be way more awesome – something along the lines of socks, underwear, or a tie perhaps – take a closer look at what I just gave you, you ungrateful asshole. It’s free internet content. Okay, it’s not a YouTube video of a cat trying to act cool after pulling down the Christmas tree on top of itself, or your adorable second-cousin’s nephew belching “O Holy Night” after downing three Red Bulls in less than thirty seconds. It’s a bunch of text, which requires much more intellectual heavy lifting to appreciate than a video you can stare at and zone out to. Reading is hard, vegging to viddies is easy. But engaging with the written word is so much more rewarding. And after all, how likely are you to find something as troubling and morbid as one of my stories by randomly surfing YouTube or following the links of your Facebook friends? Well, I guess that depends on your friends. But if you’re looking for some more of that Eyestrain-brand gallows humour for the holidays, it’s only a click away, right here, right now.

Mood-setting clip art in the sidebar aside, the story is, admittedly, a solid block of prose. If you want something with more pictures – of a sort – you can also check out The Awfuls under my new Comic Strips section. I stealthily threw that up on the site a few weeks ago and never made an official announcement here. More strips will follow just as soon as I can be bothered to dig them out of deep storage and fire up the scanner.

When looking for some well-earned time away from your family, their awkward drinking, and their baseless alcohol-fuelled accusations this holiday season, feel free to seek a brief respite here at Eyestrain Productions. Because I’m not going anywhere. The gears of western commerce may have ground for a halt for the Christmas-to-New Year stretch, but I’m still working away late into the night – even though I’m owed money and everybody who can sign their name to my cheques has gone on vacation. The chains to my desk remain locked and my bony fingers still scratch away at the keyboard, day after day. Who has the time for such trifling things as seasonal cheer?

Call me Scrooge if you must, but I’m really only one gimpy kid away from being Bob Cratchit.

Arkham Addendum

Still feeling a touch snotty and feverish from a recent head cold, I decided to stay in and finish off my game of Batman: Arkham Origins – a title, already mentioned here, suffering from a bad case of villainitis. It would be easier to make a checklist of the Batman villains who DON’T show up for this particular Christmas-Eve storyline than to mention the dozens who do. Suffice to say, the rogue’s gallery is overly represented, with prominent figures from Batman eras past and present shotgunned at us en masse.

What makes the classic Batman villains the best in the comic-book biz is that they’re all defined by their psychosis rather than some silly super power. Each of them is a dark mirror of The Bat, with every individual representing one fractured part of our protagonist’s own tortured pathology. It’s what made these characters timeless and so open to interesting interpretations and reimaginings over the years.

What defines the modern Batman villains is that they’re all good at martial arts. So they can…I dunno…kick ass and fight and stuff. Not quite the operatic duel of wits that would require the Dark Knight Detective to do much detecting. It’s really all about the punching which, I suppose, is what people look for in this sort of video game.

Now, I did enjoy it. It was one of the rare adventure storyline games I got all the way through, because I actually wanted to see how it ended. Personally, I would have preferred an epilogue with Alfred and Bruce microwaving turkey leftovers after a very long Christmas Eve of fighting crime and not stopping for food or a bathroom break. But it does end well enough.

I won’t pretend to be a game critic here. I’m no Yahtzee Croshaw – I would need to drink far more coffee to hit that manic a pace. But I will say this latest Batman outing has a virulent strain of the You’re-shitting-me-I-have-to-fight-Bane-AGAIN!?! syndrome. Look, I know he was the main baddie from the last movie, but he’s not all that interesting. He’s certainly not (spoiler alert) three boss-fights interesting. Sure, he’s one of the few semi-classic villains who can give Bats a fair fight, but couldn’t we have at least one boss fight that involves knocking a few teeth out of the Riddler’s arrogant head after all those irritating puzzles? Sure it would be one-sided, but it’s not like the game isn’t already feeding the computer nerds this year’s dose of bully-fantasy-fulfilment. Really, I started to feel bad for all those Blackgate escapees I “interrogated” (read “tortured by standing on their heads”) and then pounded into unconsciousness after gleaning some petty nugget of information. They probably had shitty childhoods, a difficult family life and hard economic times to contend with. They just wanted to get home for the holidays and somebody at the prison left the door open. Can you blame them for seizing the opportunity and simply walking out? I can’t. But the Bat can. What a fascist asshole!

After winning my three hundredth ten-on-one street brawl in a row, I found myself longing for my preferred type of video game – the strategic empire-building genre. Is it wrong to daydream about playing another video game while you’re in the middle of one of the biggest releases of the year? It feels like cheating. But if it’s wrong, then I don’t want to be right. Because the game mechanics that were going through my head, even as I pounded faces into blood pudding on the streets of Gotham, were those of the upcoming Banished.

banished

The end credits of most video games today roll for twenty to thirty minutes on average because there are so many people involved. They make movie end credits (which hardly anyone watches either) seem fleeting. When the credits for Banished roll, there’s only going to be one name, and one name only. Because Banished is a solo effort. One guy, doing everything. And the game looks fantastic. It’s a city builder, and although I haven’t played one second of it, I can already tell it’s better than the uber high-profile franchise remake (and legendary disaster) Simcity 2013.

Apparently you need an army of people to design, write, code and release a game as fucked up as the new Simcity. But it looks like one guy can nail it acting alone. I don’t even know the name of this one industry insider who threw up his hands, said “Aw, screw it” and skipped all the bullshit in favour of making precisely the game he wanted to make, but he’s my hero. Banished looks like exactly the sort of game I love to play, designed by someone with an equal taste for the genre. The game is due out any moment between now and the end of the year, and it’s certainly premature for me to endorse something I haven’t had the chance to try. But I’ve been following the devlog for a long time now, and I’m more hyped for this than any of the giant releases due in the next year.

If you’re interested in this type of game at all, I at least hope I’ve made you aware that this exists. Check of the Shining Rock Software website and its various social media links for all the details. This is the one that deserves your day-of-release dollar, not the latest crapfest from EA (the most-hated corporation in America two-years running – congratulations guys, well earned – if it can’t be Monsanto, I’m glad it’s you). Even though the wait through this final play-testing bug-squashing time is excruciating, at least Banished is being properly beta tested, unlike Simcity, which basically charged everybody a fortune for a pre-order of what turned out to be an alpha-test of a game with catastrophic design flaws that could only be fixed with a square-one rethink and a time machine. May Batman stand on all your heads, you bastards.

Not that I’m bitter.

All the News That’s Fit to Blog

During the pre-relaunch atrophy downtime of the blog, a number of bits of relevant news cropped up. Stuff that actually has bearing on my writing and career, as opposed to the general interest stories I feel compelled to comment on (you’ll note I am bravely resisting the urge to jump on the comedy-gold bandwagon that is Rob Ford and his recent unrevealing revelation that he did indeed smoke crack, but only because he was in a drunken stupor).

Let me give these pieces of publishing news their due on the blog before even more time passes.

First up, we have the work of Dr. Hannah Miodrag, author of Comics and Language: Reimagining Critical Discourse on the Form. Recently she wrote the article “Narrative Breakdown in The Long and Unlearned Life of Roland Gethers” for the Comics Forum which offers more academic insight into my work than I’m prepared to offer myself. Just because I wrote and illustrated the thing doesn’t mean I’m qualified to understand it. I’m no doctor. I’m barely a B.A.

Then we have the appearance of more Longshot Comics material in L’art de la bande dessinée, which is a rather ginormous encyclopedia of comics that covers everybody who’s anybody. I guess I qualify as a somebody since I’m represented. Flip all the way to page 32 of nearly 600 pages and you’ll see a reprint of one of my Movies in Longshot strips. I know you’ll buy the book just for that.

And for good measure, I need to mention that the fine folks at Proglo Edizioni have released their Italian translation of Longshot Comics Book Two: The Failed Promise of Bradley Gethers. I don’t know when this came out in Italy – the copyright notice is for 2011 – but I got my copies relatively recently. Once again, they offer more slavishly respectful handing of my material that makes me feel like some sort of legit artist who maybe doesn’t deserve to eat shit the way I’m required to in certain other writing endeavours that shall remain nameless (if easily guessable).

There you have it, a quick check list of what’s seen print lately, with no endless, fevered (literally – I was sick) blathering about ancient monetary history. And no mean-spirited levity at the expense of a sad, morbidly obese crackhead who should really be spending his money on a decent tailor rather than booze. Or crack.

Instead, allow me to close with this note of support for the embattled Toronto mayor:

Rob Ford, whatever his flaws, is a vital and essential figure in North American politics. We need him and we need him desperately. Who else, I ask you, can make Governor Chris Christie seem absolutely svelte?

The answer, my friends, is no one.

Good day.

Spook Story

I was a little kid in a distant and mythologized era we now refer to as the ’70s. One day in that dimly-remembered decade, probably around this time of year, I was over at my cousin Debbie’s house. And I was feeling very privileged. Debbie was thirteen and a bunch of her friends were over, hanging out in the basement. Despite the stark age difference, I was not being ostracized as I fully expected to be. Instead, I was permitted to hang with them while they sat in a circle that evening and told ghost stories.

A good ghost story is told exactly the same way you tell a good joke. There’s a setup, a pattern is established, and then a punchline surprises you. Just like the many jokes that are passed down through the generations by oral tradition, ghost stories also rely heavily on who tells them, how the teller embellishes an often familiar tale, and how they perform it for an audience. The highlight of that evening was when one of Debbie’s classmates told his version of the old chestnut about the couple who run out of gas on a country road in the middle of the night, just when reports of an escaped lunatic come over the car radio. There are a million variations of this story, some of them involving a hook hand, some involving a persistent thumping on the roof of the car that lasts all night. The boyfriend character always gets killed, and the girlfriend character is usually driven mad by fear. I had never heard any version of this story before, and I couldn’t even tell you now which version he told that night, but I was mesmerized. And I was inspired.

I desperately wanted to tell a ghost story of my own to entertain everybody, but I didn’t know any. Not one. So I decided to make up one on the spot. The room was hushed, and all ears were on the little kid on the end who had been allowed to sit in with the group of big kids.

The story I told was, as close as I remember, “A bunch of people went to a scary castle and Frankenstein killed them.” There may have been a few more details, but it didn’t run much longer than that.

Ghost-story raconteurs and comedians doing standup share another commonality. They both run the risk of bombing. I remember many blank stares in the basement that night.

“Did you make that up yourself?” one well-meaning big kid asked, obviously enchanted by how adorable I was.

“Yeah,” I shyly admitted. And then I shut up for the rest of the evening. I needed better material and I knew it. Step one, I figured, was to stop being eight years old and grow up so I could develop some sort of frame of reference – preferably by watching lots of horror movies.

A heaping pile of years later, I think I can do a bit better. Witness my more recent attempt at a Frankenstein story. “Monster” was published in the Frankenstein Reassembled anthology a few years ago. With all rights reverted and an agreement struck with artist, Gabriel Morrissette, it now finds a home hosted here at Eyestrain Productions just in time for Halloween. Click through the gallery to read the story and hit the “View full size” button if you want to take a closer look at Gabriel’s fine illustrations.

Relaunch

The stagnation of this blog and website has been the source of no small amount of irritation on the part of friends and fans, and a heaping dose of embarrassment on my end. My previously mentioned inertia is only part of the story. The rest of the story is composed of words like “apathy,” “disdain,” “procrastination,” “ineptitude,” “boredom,” and “spelunking.” Most of those words are self-explanatory. As for “spelunking,” I haven’t actually taken up cave-climbing as a sport, hobby or pastime. I’m just really fond of that word. Spelunking. I like the sound of it. It’s soothing. It’s probably my favourite word in the English language, followed closely by “troglodyte.” I think if I ever actually encountered a troglodyte while I was spelunking, I’d drop dead of a joygasm.

The real story of what’s going on behind the scenes is that I’ve become aware of several key anniversaries that have altered my behaviour. First, it’s been ten years since the original launch of eyestrainproductions.com-slash-shanesimmons.com. After making a valiant effort to write something new at least once a month, I’ve fallen hopelessly behind, and habits are easy to forget about once you break out of the cycle. Especially good habits. Bad habits, not so much.

The website has also been looking a tad shabby, out-of-date, long-in-the-tooth. It is, after all, a 2003 design. There’s also been a fair amount of neglect that’s entirely my fault — links that became broken years ago that have never been changed or fixed, credits that haven’t been updated, news that hasn’t been announced, bugs that haven’t been squashed. On the plus side for the people who have been ordering my comics, you’re getting a good deal on the postage since I haven’t updated the rates to reflect the inflation that’s happened down at Canada Post in the last decade. I make a mental note to do something about that every time I eat it on another package headed anywhere out of the country (which is pretty much all of them because only eight people live in Canada, six of them already have copies of my work, and the last two don’t read comics because that crap’s for children).

“Re-do website” has been on the project list for a long time now. Lately, I’ve been doing something about it. Finally. Mostly because the software infrastructure of the site got chucked onto the virtual-technology trash heap right next to Windows 8 and the original code for Pong. It was upgrade and transfer files now, or lose it all in translation later.

I’ve decided to abandon the forgotten and unsupported Pivot and switch to the trendy and rather more functional WordPress. WordPress, I’m told, offers all sorts of shiny new bells and whistles and functionality, while helping my homepage look more professional, corporate and soulless.

So be assured, the next time I write a blog post the whole web site will look completely new and different. And you’ll hate it. Because change is bad and websites should never ever change no matter how shitty and out-of-date they get. Ask Harry Knowles.

The second major anniversary is that of Longshot Comics. The original minicomic edition came out an incredible make-me-feel-old twenty years ago. Availability of the comic has been helped along by various reprints in various languages, but someone needs to get all the material back into easily obtainable print. And maybe even offer some fresh pages. That task, if seems, falls to me. Which is a lot of work and entirely unfair, even if I am the sole writer, artist and printing press of the whole endeavor. What did I do to deserve this curse, other than creating it in the first place? Fuck you, karma.

There is a third key anniversary this year. Twenty-five years, the silver jubilee if you will, of something both grand and horrifying. Close associates will know what I’m talking about. The rest of the world will find out soon enough. I’m saving this one for the post-relaunch period, though I will have to discuss it at length before 2013 is up. It’s simply far too important to let slide.

Beware.

The Swarm

“I’ll take ‘Bad Michael Caine’ movies for five hundred, Alex.”

I’ve been swamped — or should I say swarmed — of late. Aside from running around dealing with a bunch of organization and writing tasks, most pressingly I’ve been dealing with that latest invasion of nature in my house.

A couple of years ago, you may remember it was raccoons. This time, it’s wasps. A whole nest of them resides under the exterior paneling above my front door. They’ve been getting into the house lately, much to the delight of my cats and the horror of my wife. After disposing of ten of them in the vestibule one day, I went outside, armed only with a step stool and a vacuum cleaner, and proceeded to suck up another five hundred of the little bastards in one hour flat.

Supposedly, this variety of wasp dies off in the late fall when the queen leaves to find a warm place to hibernate, so the problem should resolve itself soon. I’ll remain on vacuum patrol until then. And one day, once it gets really chilly out, I’ll open up the vacuum cleaner and take the bag to the trash. There’s nothing like a cold day to calm down an eight pound sack of pissed-off wasps.

I’ll try to keep you up to date on a sting-by-sting basis.

*

One of the infrequent attendees at my movie night soiree is Rachel, who made an appearance and stayed for the film this week. With advance knowledge of her presence, I came prepared to exchange gifts. We have an arrangement, you see. She brings me exotic pilsners from the distant land of Saskatchewan every time she visits home and, in exchange, I taunt her about her phobias like a fucking asshole.

Rachel has a thing about broken bones, as I discovered last year when Adam Green‘s film Frozen drove her from the building at the halfway mark. She didn’t quite flee screaming, just cringing and gagging. With that in mind, I brought the infamous movie-night whiteboard filled with the following menu selections:

Finger Breaking Good (1976) – Mobsters try to muscle in on Colonel Sanders’ secret recipe only to find they play for keeps down in Kentucky – one piggy at a time.

The Bone Crusher (1981) – A loan shark grows weary of his job breaking people’s legs and finds a new lease on life when he switches to breaking people’s arms.

Snap Goes the Femur (1990) – The heart-warming true story of a downhill skier who bounces back after a career-ending injury.

Ribbed for Her Pleasure (1995) – A construction worker, pinned under a ton of sheet metal with a crushed rib cage, finds true love with a passing angel of mercy who talks him through his ordeal.

Fractured (2008) – A world famous stuntman refuses to be recruited by the CIA until he breaks every bone in his body during a failed motorcycle jump. How can he say no when they offer him a new identity, a new face, and a new skeleton made out stainless steel?

Rachel stayed for the movie anyway. Mostly because all of the above films are entirely fictional — phony fabrications on my part. For now at least. If there are interested producers out there, I’m available to write any of them for scale.

Call me. We’ll cut a deal.

*

Referring back to those writing tasks I mentioned earlier, there will probably be more multilingual translations of Longshot Comics coming in the near future. Europe keeps on calling and I hope to make some deals while the Eurozone still has a currency to pay me with.

Also, later this year, my short story, Bayonet Baby, will be appearing in the Weird War anthology from War of the Words Press. I’ll post a heads-up once it’s out.

Don’t look at me like that.

The Best Little Moviehouse in Texas (Or Montreal For That Matter)

Last night, a stone’s throw away from the crater where the Seville repertory theatre used to stand, I attended the opening night of a movie at the local AMC franchise, built where the Montreal Forum used to stand. Shifting the topic away from ruined Montreal landmarks for a moment, the movie in question was The Year Dolly Parton Was My Mom. It was a big event. And not just because it was a Canadian movie showing in a real movie theatre and taking up an entire screen next to such worthy luminaries as The Green Hornet, No Strings Attached, and Big Mammas: Like Father Like Son. This was the unofficial world premiere of the new Rebecca Croll film, and all her friends and family turned out.

For me, Rebecca — Becky to her friends, Reba to no one, but I might start calling her that to be irritating — will always be that eight-year-old kid I once knew, eating spoonfuls of peanut butter straight out the jar. Disgusting. I mean, who the hell does that? Oh, right. An eight-year-old. Time flies.

Anyway, this was the second Rebecca Croll flick I had to drag my ass to this year. About a month ago I was watching her upstage my doppelganger, Paul Giamatti, in one line flat in Barney’s Version. It was her only line, but she didn’t need more than one to bury that pudgy, bald, bearded hack. It was like watching the two of us interact at movie night (only there, I’m the one playing the pudgy, bald, bearded hack). Specifically I was reminded of when Becky buries me with a line about how she hates the Coen Brothers, or how great a masterpiece Krull is.

The theatre was nearly sold out, full of well-wishers who confused the real patrons by hooting and cheering at Becky’s credit. I was having none of that rubbish. My job at these sorts of events is to show up and make a bunch of snide in-joke comments because I’m incapable of speaking in clichés like “congratulations” and “this is your moment” and “you’re so richly deserving.” I’m too cool for that, you see. Instead, I say a few funny things that make me seem like a detached asshole, when what I really want to say is something heartfelt along the lines of “You bitch I’m so insanely jealous you have a movie out and I’m going to do everything in my power to sabotage your career in a Phantom-of-the-Opera-esque way including but not limited to dropping a giant chandelier on your head ha ha ha you’ll never see it coming unless I let the cat out of the bag by writing about it on a blog or something oops.”

The Year Dolly Parton Was My Mom is playing at various theatres near and far from you. Try to go see it, if only for the most bone-chillingly eerie recreation of the 1970s I’ve ever witnessed in a motion picture. I swear they must have built a time machine, travelled back to 1976, and raided my childhood home for all the tacky shit we used to own. Give it your support because should this movie prove successful at the box office, sequels are already planned, including The Year Barry Manilow Was My Dad, The Month Barbra Streisand Was My Second Cousin, The Weekend Karen Carpenter Was My Dietician and The Afternoon Tom Jones Was My Pool Cleaner-Slash-Gynecologist. Becky may be willing to reprise her role, and Tom Jones needs the work.

*

 

Good old Rich Johnston continued to tout my aging comic book work (indirectly this time) by submitting Andrew Goletz’s article about The Gathering anthology to Bleeding Cool. Turns out enduring the Eisner Awards with him was the best bit of schmoozing I ever did. It’s still paying dividends fifteen years later, which is more than I can say for any of the film and television gatherings I’ve gone to (though they do have better catering). Andrew Goletz, the actual author, is an old associate I used to deal with back in the glory days, when Dave Sim was the pied piper of do-it-and-publish-it-yourself comics. Yeah, yeah, I know, I should do some more comics. But I’m so comfortable resting on my laurels like they’re a Barcalounger, stuffing my face with Tostitos and watching Jersey Shore. Writing and drawing comics takes actual hard work and where’s the deliciously artificial spicy quesadilla reward in that, I ask you?

Raccoon Redux

You may remember the fucking-raccoon comic jam page that was inspired by my very real vermin — er, I mean cute interloper — problems. Nearly two and half years later (during which the page went missing at one inker’s house) it’s done at last. And I thought you might like to take a look at the finished product. You’ll note the changes to panel three in particular, elevating that frame from good to awesome.

“Fucking Raccoon” is one of many comic jam pages that will appear in issue #9 of What the F—? to be published by Rick Gagnon shortly. Check the website in the coming weeks for details on how to order your own copy (not to mention any number of back issues).