Everybody Out of the (Dead)Pool!

I went to see a movie called Deadpool last night. Maybe you’ve heard about it. Despite the title, it’s not about callous assholes predicting celebrity deaths. Imagine, instead, if Bugs Bunny were an insane, mass-murdering, sex-obsessed superhero who knows he’s in a movie and breaks the fourth wall constantly. That’s pretty much it. Plus it’s a Marvel movie that seems intent on bridging multiple studio continuities. And why the hell not? It’s not like they’re paying all that much attention to their own continuities these days. Once you start recasting and throwing around time-travel plots willy-nilly, it all comes crashing down sooner or later.

Ryan Reynolds returns as Deadpool. Yes, returns. You may remember the character from the poorly received X-Men Origins: Wolverine, or the better liked proof-of-concept short that helped sell the studio suits on the idea of producing an R-rated Marvel movie again. The last one attempted was the universally ignored Punisher: War Zone which, because of its pitch-black sense of humour and excessive violence, has since become a cult film in certain circles. Well, Patton Oswalt seems to really like it at any rate.

Being that this was a premiere, we were instructed not to text, Twitter, Facebook or blog about the movie before its actual release date. To which I say: fuck that. What’s the point of freebie advanced screenings if not to generate buzz? Somebody failed their Marketing 101 course.

But this wasn’t the only silly draconian rule we were subjected to.

“No phones!” we were instructed as we entered. “Phones off!”

As the last holdout on Earth who refuses to get a phone, cell or smart, even I thought this was ridiculous. Concerns about piracy abound (though the joys of watching a movie shot from a phone escape me) and phones during a movie are obnoxious, but it was an hour before the screening. Of course people are going to pass the time diddling around with their phones. These demands were flatly ignored, everybody got their texting and browsing done and, for the first screening I can remember in a long time, I didn’t see anybody’s devices on once the film began.

Had I the option, I might have thrown a couple of my own rules into the mix. Ones like: DO NOT READ THE CREDITS ALOUD.

It’s a funny, irreverent movie. So there were funny, irreverent credits at the start. The guy behind me read EVERY – SINGLE – ONE out loud, punctuating each with a hearty laugh. Dude, the audience was full of comic-book geeks. They can all read. We’re happy you’re a big boy now who knows his A-B-Cs, but kindly shut the fuck up.

Here’s another rule for people who apparently don’t know how cinema works: STAY UNTIL THE END.

“Do these people really think there’s not going to be anything after the end credits?” I said as I saw the first hundred people streaming out of the theatre the moment the movie “ended.”

I’ve never understood people who lack the patience to sit through credits – especially in this day and age when half the genre movies include some extra scene at the very end. It’s like they’re at a sporting event and want to beat the departing crowds if the game is a foregone conclusion. I have seen people walk out of a film in the last few minutes BEFORE the credits roll because, I guess, there’s nothing but boring resolution stuff left. INCIDENTAL NOTE:  I remember seeing people do that during Aliens in 1986 when the survivors made it back to the ship. Because, hey, they made it off the planet. It’s all over, right? Idiots.

Anyway, yes, if you see it, there are more jokes during the credits. There are more jokes after the credits. Stick around, or do you really need to feed the parking metre that bad?

Oh right. A review. I guess you want some early-preview critical assessment.

It was okay. I was amused. I laughed a few times. And I wasn’t too creeped out by the cosplayers in the audience. None of them tried to shoot or stab me, which was nice. You can’t always expect that level of civility at the movies these days.

Because of the R-rated content, there wasn’t much studio support for this film. It almost didn’t get made, and when it did, it was for a relatively low budget. By relatively low, I mean for a Hollywood-studio superhero movie. That still means it was shot for more money than the ten most expensive Canadian films ever made combined. So, uh, yeah – go support this tiny little indie film that makes funny at the expense of its own inexpensiveness, because we need to support more ultraviolent mainstream blockbusters.

Anyway, that’s all I have to say.

THE END

Wait! I have one more joke to tell!

What do you call Batman when he skips church? Christian Bale!

See, you would have missed that hunk of gold if you’d already left. Aren’t you so glad you stuck around to the bitter (real) end? Lesson learned.

Second Balloon

The first time “Carrion Luggage” saw print was back in 2003 in Island Dreams: Montreal Writers of the Fantastic. It was a short story I wrote concerning a voodoo curse making its way through airport security. As such, it was already a nostalgic look back at the kinder, gentler days of airport security when there was still some small measure of dignity in flying. As early as 2003, the act was already turning into a body-scanning, cavity-searching, beverage-free zone of bodily violations by grabby rubber-gloved “agents” with less training than your average grocery store checkout bagger and worse judgement than a mall cop chasing after teenagers for harassing an anchor-store Santa on Black Friday.

Despite a certain dated quality, the story sold again in 2014 to Black Chaos: Tales of the Zombie. My thinking there was that the announced anthology would be inundated by contemporary flesh-eating zombie stories and that there would be no love for the ironically underexploited voodoo zombies of old. I was quite right and they agreed to the reprint. Additional publishing details and links can be had on the Anthologies page.

As those of you who have bought and/or read my recent collection of Red Baron articles will know, I’m doing a slow roll-out of some of my material, new and old, for Amazon Kindle. Publishing “Carrion Luggage” as an eBook is my second official trial balloon. It’s now available online for $0.99 – or whatever weird one-cent incremental variation Amazon seems to randomly apply to these things. Carrion Luggage_small

When I say “second trial balloon,” that’s a bit of a lie. There have been others, but this is only the second publicly announced one. I’ve been busy learning all sorts of new and mind-expanding things about digital publishing as I gear up for bigger and loftier projects. The handful of fiction I’ll be making available in the coming month(s) is my way of cautiously learning the ropes as I weigh the dubious returns and glacial pace of traditional publishing versus the dubious returns and fast pace of do-it-yourself eBook publishing. Investing a buck per story would be a fairly token but much appreciated way for you to show me my time is not being spent in vain. Think of me as a sort of literary busker – except I’m not getting in your way in the subway and assaulting your ears with terrible covers of Simon and Garfunkel songs on my Casio keyboard.

Related to all things publishing, this article about the often terrible terms writers are expected to sign their name to is worth a look for those interested. I mostly include the link here as a means of bookmarking it for myself. At some point down the line, I should create a blog post about the most egregious things I’ve seen recently in various terms and conditions clauses – often from little- to no-pay small presses that are already asking writers to bend over for free.

The web has levelled the publishing playing field in recent years. It’s the wild west out there, and just like the wild west, few people panning for gold are finding any nuggets. I am (along with everybody else) trying to figure out what the new business model is going forward. The more I learn, the more I’m concerned there is no more business model. Or worse, there is a business model, but it’s broken and dead – just like the prospector’s horse that keeled over and died rather than carry all that mining equipment up the mountain one more time.